My Musical Musings Blog | BetsyLeeBaileyMusic.com - The Music of Betsy Lee Bailey

I Found Them!!!

5/15/2026

Janie Thompson 1980

For the upcoming Daughters of the Utah Pioneers Jubilee, I have been asked to provide some entertainment. Since the Jubilee celebration always coordinates with the birth date of Brigham Young on June 1st, I thought it would be great to use songs that mention him by name.

Then I remembered some Pioneer songs my Aunt Janie used on lots of programs. Janie Thompson was known for her clever reworking of lyrics to match whatever event she was asked to provide entertainment for.

She loved writing parody songs using famous commercials, pop songs, or TV theme songs as a framework, just changing the words. What made the songs funny, though, was how people could remember the original lyrics (maybe even the products) and chuckle at how Janie changed them just slightly to fit the new setting.

I knew about those Pioneer songs because my mother taught them to me to sing for a Pioneer Day celebration she was in charge of in Houston, Texas. (I was probably 12 at the time.) Janie lived in Utah and our family kept moving all over the United States. My mother thought having Janie's songs for specialty numbers was such an ace up her sleeve. "Janie songs" were always a hit no matter where we lived, no matter who mom taught to sing them.

Since I needed to find a couple of specialty numbers for this Jubilee, my mind went straight to Janie's Pioneer Parody songs. I inherited several boxes of Janie's music when she died. Would I get lucky and find these songs somewhere in the stacks?

Well, I managed to find them. I just needed a Urim and Thummin to decipher them. The pages are so faded, they're difficult to read. I actually can't decide whose handwriting this is, either. It could be Janie's, or my mother Carolyn's, or maybe even mine. (We all have similar handwriting.)

But honestly, these pages have not much to work with. Janie rarely wrote out the sheet music. She and my mom had great "musical memory" and just needed chord charts with the lyrics to play entire shows.

The bare minimum of what you need is there: the lyrics, the chords, and the name of the tune. For example, the first song of the parody medley is "I'm an old Cowhand from the Rio Grand." If you know that tune and the chord changes, it's simple to fit the new lyrics into the melody. It's up to the pianist to use the chords to make up an accompaniment.

Fortunately, I think I remember enough of the arrangement to figure out the words and the tunes. The transitions between songs is a bigger challenge, but I think I can remember pretty much how Janie played them. So, this is good. I have coerced my sister Barbara to come sing them with me. It'll be fun! Maybe we'll be a hit!

Janie Thompson Arrangements

12/15/2025

For the past few weeks I have been going through many boxes and files of music trying to make space for proper storage of just the things I need in my file cabinets. I have been trying to be very deliberate about what to keep and what should go. (I confess that when it comes to music, I think it is all important. So this has been a real challenge!)

Janie Thompson

But as I have gone through this process, there have been some real surprises. For example, I inherited several boxes of my aunt Janie Thompson's music. I discovered that I have many of her tendencies. She was rather meticulous about saving many tens of copies of the "Vocal Parts Only" for entire shows in file packages, carefully dated and labeled. Sometimes she'd have 25, 50, to 100 performers in a show. No wonder she only gave them the vocal parts of the songs. (Obviously, that was much more economical, hence why she saved them -- just in case she'd need them again.)

Then she also saved the working director copies/accompaniments of those shows in three-ring binders -- complete with lists of performers, line ups, stage directions, and cues. It was like she just closed the binder and stuffed it in the box to come back and sort it later. (I hate to admit it, but I do that, too.)

Yet in reality, those have been the most important finds out of all of her files. We have thought for years that Janie rarely wrote out accompaniments to her zillions of "Vocal Parts Only" copies that the performers got. Come to find out, she actually has a few originals of the handwritten arrangements with PIANO ACCOMPANIMENTS. (Much abbreviated with sections of just chord symbols and perhaps the bass line, but still it's enough to be understandable to a pianist.) To me, that is GOLD!

One song in particular was quite the find. Late in her career, Janie was once again asked to perform often as a guest artist. One song became her most requested out of all her vast repertoire, "I've Been Everywhere, Man." Apparently that novelty song had been around since the early 1960s. It was written by an Australian writer named Geoff Mack and was popularized by various singers including Johnny Cash. It started off by mentioning (in rapid fire) place names of towns only in Australia. Then other performers created versions mentioning places names in the areas they lived, like the United States and Canada.

Janie could top them all, because her version mentioned places ALL OVER THE WORLD where she had performed!!!!!! She had to include EIGHT VERSES to contain them all. I am delighted to have found the original.

Christmas Day Round

12/3/2025

Janie Thompson (1921-2013)

My aunt Janie Thompson has been gone now for 12 1/2 years, yet I still think of her often at Christmas time. She really shined at planning and performing Christmas shows. Since the early 1950s, she worked at Brigham Young University in Provo, Utah, taking almost anyone who walked through her doors and teaching them to sing and dance.

In those days just after WWII, BYU was just recovering from being basically a girl's college. During the 1940s, very few young men were NOT off at war. The college was small, comparatively speaking, to what it is now. The President of BYU, Ernest L. Wilkinson, had asked her to come to BYU, organize entertainment shows to tour around Utah and the neighboring states to recruit students to enroll at BYU. She wasn't thrilled to leave her glamorous touring life as a Big Band singer, but she knew that was what she needed to do. (It's still hard for me not to picture her in sequins...)

Janie could organize shows with anybody, polish them up, and take them on the road. After a time, she gained a reputation of doing quality shows and was approached to take touring groups all over the world. Janie had contacts in the U.S. State Department that sponsored her student touring groups to mainly go out entertaining the troops over seas. Often her tours would last several months at a time.

Cory, Tanya, and Betsy singing for a Christmas Show

However, very few students stayed in Provo over the Christmas break and that was when the Program Bureau (that she established) got many calls for student Christmas shows. Janie would just use the few students that were in town and filled in with her neighbors and family members. I remember as a young child singing on many of her Christmas shows.

By the 1990s, she was nearing her retirement and she did fewer and fewer big tours. But she still did Christmas Shows for special gatherings and parties all over the state. She also did a big show with the Youth in her own Ward every year. Those kids did a lot of the material she had first had the BYU kids do on Christmas shows. Then she started writing more and more original songs.

Her "Christmas Day Round 3-Part" was one of the songs she wrote during that later period of her life. I offered it on my website just for fun, having no idea that it would become so popular. Because it is FREE, I don't get to know who downloads it or how they use it. Would be fun to know, though...

Road Maps

11/25/2025

When I was growing up, our family took a lot of road trips. We even had a few major moves to different towns in different states. Our dad would take the family out in each new area to "get lost." Then he would hand one of us a paper map and say, "It's your turn to get us back home." We learned a lot of things using maps. The most important was to have confidence in the integrity of our maps and also our own map reading skills.

My husband and I tried to help our children learn those skills as well. We took a lot of trips cross country back to Utah to visit the grandparents and cousins. So we had a lot of opportunities to practice those map-reading skills. Nowadays, we hardly think about consulting a physical paper map (they don't even sell them anymore!) because we all have smart phones and GPS.

Yesterday my daughter told me of her experience getting lost in Connecticut at night after their phones ran out of battery. They tried to buy a charger for their phones, but it was quite inferior. Besides, where they were in Connecticut, road signs were basically non-existent. They ended up getting some directions from people in an Emergency Room at a Hospital. What my daughter said helped her the most though was recognizing how to follow the mile markers on the sides of the roads. She had a way to judge where they were even without road signs. She called to thank me for teaching our family how to read maps and follow road signs and markers.

Reading MUSIC NOTATION is a lot like reading a road map. The markings and notes on the staff are ways to remember how the music should be played. Even though ways of notating music have changed a lot over the years, if you can read the "map" you can still play or sing the music. The more you PRACTICE the better your skills. After some time, you can even notate music with just a few abbreviations. Such as a chord chart for the well-known Christmas song:

Jingle Bells chords in the key of G

Chorus:
(G)Jingle bells, jingle bells, jingle all the (G7)way,
(C)Oh what fun it (G)is to ride in a (A7)one-horse open (D7)sleigh, hey,
(G)Jingle bells, jingle bells, jingle all the (G7)way,
(C)Oh what fun it (G)is to ride in a (D7)one-horse open (G)sleigh

I have been going through vast quantities of music in my files trying to get rid of stuff I don't use. I came across whole programs I directed or accompanied that used many abbreviations. That means I knew the songs well enough that I really only needed the words, chord symbols, and the "road map" of when to start the intro during the narration, how many verses or choruses, interludes, tag ending, and so forth. (Unfortunately, now I don't remember all those songs or what exactly I played for all of those abbreviations, so now those charts are in the trash.)

I am thankful for good maps for roads and music that give us more reliable information to get us where we need to go. Hurray for people who make this possible for us as we travel the roads through life.

Happy Thanksgiving! (By the way, did you know that "Jingle Bells is really a Thanksgiving song?) Enjoy Jingle Bells 2-Part Children and "Jingle Bells" SATB with piano

Why Don't You Sing the Rest of the Song?

12/24/2024

Certain traditions are so important in families. For Christmas, singing is probably our family's most important tradition. And because in our family we have had special arrangements of Christmas songs that we have sung since birth, we tend to wonder why other people don't know those arrangements, too.

For example, Bonnie, my littlest sister really wondered why the kids at school would sing "Jingle Bells" or "Rudolf the Red-Nosed Reindeer" and leave out the best parts. She'd come home complaining, and we had to help her understand that they just didn't grow up singing with our mother Carolyn Lee or Aunt Janie Thompson. (She'd walk away with a grumpy look on her face.)

When my husband and children lived in Maryland for 12 years, we had the opportunity to sing on lots of shows for Christmas. A few of our musical friends and their children sometimes joined us, too. We were the Bailey, Bullock, and Perry Families and Friends. We actually did a show every Christmas for five years at the Washington D.C. Temple Festival of Lights. Together we had seventeen children and a growing number of grandchildren and friends join us, too.

We had so much fun singing together. That gave me the chance to teach my family and the others to sing some of those great arrangements Janie wrote for her BYU shows.

One of the favorites is "Jingle Bells." My kids have been singing this arrangement practically since birth, too. We always sing it when we go Christmas caroling. Some our newer family members (married in's) get a little confused when we break out singing a different ending (with choreography) to a traditional song, and we have forgotten to clue them in. Oh well, they'll get used us someday.

Enjoy our family version of "Jingle Bells."

Of Christmases Past

12/16/2024

Many of us are of an age to spend time thinking about times gone by. We often marvel at how the days may seem slow, but the years go by so quickly. Just a few days ago, one of my daughters was saying this very thing. She can't believe how busy their family is during this season with rehearsals, concerts, shows, matches, games, and even auditions for future events. (Understandable. She does have 8 children.) How will it all be accomplished? In her household, they must divide and conquer. Not everyone can go support everything, but they try to do what they can.

Here in my sphere, I am trying to go to as many of my grandkids performances as I can. Sometimes my own rehearsals and performances get in the way. I am happy when my children come support me in my concerts, too. Christmas is just a busy time. But I wouldn't have it any other way.

Thinking back on the earliest memories I have of performing in Christmas shows, I have to thank my mother and Aunt Janie Thompson. My mother had me singing on shows since I was a toddler. But they were simple affairs, mostly at Church or in homes. Apparently I had to have a stage and a costume. In our living room, the coffee table was my stage and I would only perform wearing my "fluffly" white petticoat. Sometimes Mom would pin decorations on it such as little snowflakes or hearts or shamrocks or something to match the holiday, then I would sing my songs.

By the time I was four Janie decided that I could be on her shows. Janie was constantly being asked to provide entertainment, especially at Christmastime, for social gatherings all over the place. Performances were in fancy homes or well decorated halls or office buildings. She usually worked with BYU college students, but many would go home for the holidays, so she had to get more creative with who would be in her shows. She often created numbers for her family members to fill out the ranks of her performers. It was especially exciting when we would go do a show for the General Authorities of the LDS Church in Salt Lake City.

She first put me in a children's trio with two other kids, Tanya and Cory. They were older and taller than little me. I remember standing eye-level to the keyboard while Janie taught us the songs at her piano. She told me to watch her little finger on her right hand and sing those notes. So I did. I remember we were learning her arrangement of "Rudolf the Red-Nosed Reindeer" and I needed to sing the harmony part above the melody. We learned our 3 or 4 songs and sang them all over the place that Christmas and other Christmases as part of Janie's larger shows. It was so exciting. (By then I would agree to wear dresses as costumes.)

Those were such formative days for me. Performing became just a part of my life. I don't remember ever being afraid. I loved the lights, the music, the energy in the rooms, the applause, and the excitement of just being able to sing those wonderful songs. I am so grateful for people who believed in me and for all the music in my life!

Here's one of the songs we sang on shows, "The Christmas Alphabet." We sang it as a trio back in the early 1960's. This recording was of my family and our friends and children singing my arrangement for SATB and children in 2006 for a show at the Washington D.C. Temple Visitor's Center.

Getting the Band Back Together

12/10/2024

My brother Bob Lee and his wife Penny celebrated their 50th wedding anniversary a couple of weeks ago. For the celebration, they decided to present a show.

Bob had been a member of the Young Ambassadors while at BYU. He even toured with them to Europe. He met some fine musicians in that group who later joined him playing in a dance band in college. Then, while Bob was on his mission in Argentina, he organized a band that traveled and entertained throughout the mission. Penny, also a missionary, was assigned to go with them as the girl singer. Bob did the arrangements, sang, played any instruments needed, and was the master mind. Soon after returning from their missions, they got married.

One of the hopes for the anniversary celebration was to get Bob's dance band back together from college days to do a few numbers. Bob, again, was the mastermind. He did most of the arrangements, sang and played bass, flute, horns and sometimes even piano. Doug Clark was the drummer. Dave Hocking was the guitarist. And I was the token girl singer and played keyboards. Little brother Ben Lee sometimes joined us and sang and played horns. Penny sometimes came along and sang, too. We had a lot of fun as well as earning money to fund our schooling.

Cornerstone band in the 1970's, Ben, Bob, Doug, Betsy, and Dave. (I held the flute because I couldn't carry my keyboard up the mountain to take the picture. I don't actually play the flute.)

Well, not all of us could come to the 50th wedding. Dave and Ben had some health issues, so they didn't fly to Utah from either coast. But Bob, Doug, and I were there rockin' out to tunes by Chicago, James Taylor, the Carpenters and many others. My talented son Matthew played guitar, and several of Bob's kids and grandkids played horns for the big numbers. It was good to play the old songs again.

We also did a few of our Aunt Janie Thompson's songs as a big extended family group: "The United States of America," and "Families to Match the Mountains." My sisters, Barbara and Bonnie, joined me in singing Janie's arrangement of "I Want a Little Bungalow" that we had sung back in 1974 at their wedding reception (Bonnie was just 7 years old!). And then I sang a parody song Janie wrote for Bob and Penny when they got married. The words to the old Ella Fitzgerald song "Makin' Whoopie" were rewritten to tell the story of Bob and Penny's romance in "Gettin' Married."

Don't think anyone recorded our efforts at the 50th Anniversary, but just for kicks and giggles, here's a recording we did as Cornerstone in the mid 1970's to advertise our band. This is a Chicago cover "Call on Me."

The Psychology of Genealogy

10/4/2024

Dinah Shore blowing kisses

Apparently, the 1950s were a time when advertising on television was very new. In fact, recording at the time was still in its infancy, so many of the celebrities who had variety or talk shows had to do some of their own advertising. In fact, some of the jingles they sang became very famous. For example, in 1951, Dinah Shore signed a contract to be sponsored by Chevrolet. She sang this song "See the USA in your Chevrolet" at the end of her program for a decade and always ended with her signature sign-off, throwing a kiss to the audience.

Some of these advertising songs were so catchy that nearly everybody went around singing them.

My Aunt Janie Thompson did some jingle writing herself for an advertising company in New York. I don't know if any of her jingles were nationally known. But, because she rewrote the lyrics to so many different songs, I thought she had originally written the music and lyrics to some of the more famous jingles herself.

When I was very young, I was starstruck by Janie when she'd perform on shows. She'd wear sequined evening gowns and sparkly jewelry. She looked and sang like a movie star, so my 5-year-old self thought she was a movie star.

Then she started performing a number that became her signature song for many years, "The Psychology of Genealogy." That was a time when Janie did a lot of shows for LDS audiences. Encouraging people to do genalogical research and fill out their four generation family group sheets was a big deal through the 1950s and 1960s. Since I knew she rewrote lyrics to songs to fit the event she was entertaining for, I just assumed she had written the music, as well.

Years later I became aware of, in this case, the jingles and commercials she used to put this act together. I think that part of the impact of the new words to the very famous jingles was part of the entertainment fun. Here she took the Dinah Shore jingle "See the USA in your Chevrolet" and changed it to "The Psychology of Genealogy is when you trace your family line..." Janie modeled her delivery after Dinah Shore. She even used, quite out of character for her, two famous jingles for vices -- one a cigarette commercial and one for coffee. ("Winston tastes good like a 'knock knock' cigarette should" and "Chock full of nuts is that heavenly coffee...")

When I learned about the real words to the real commercials and the real products they were advertising, I couldn't believe that my Aunt Janie would even think about using those little songs in her big number!

I have to admit, though, that the lyrics about genealogy are much funnier if you know the lines from the commercials.

Enjoy this gem of Janie singing "The Psychology of Genealogy" from a home recording on a little reel to reel done in the early 1960s.

The Psychology of Genealogy

The Psychology of Genealogy
Is when you trace your family line.
You are bound to see that your pedigree
To you will be a document divine.

When you finally find first one name then another,
You keep on writing, and it gets exciting
When one turns out to be your great grandmother.
So come along with me, do genealogy.
Get busy on your family line.

And fill your family group sheets, do a little everyday,
And get it done (What a feeling!)
You'll shout and say:
My line looks good like a (knock knock) pedigree should.
You'll soon be way back to (knock knock) Adam who'll say:

"The secret ingredient in Genealogy is ------------ people.

Chock full of folks is your heavenly family,
Heavenly family, heavenly family.
Chock full of folks is your heavenly family,
With an eternity of happiness money can't buy.

So, come along with me do genealogy.
Get busy on your family line ---- "smack" (blows kiss to audience)

Music Keeps Life Exciting

8/17/2024

Inviting Music Room door decor

Fall is in the air...

Well, the cooler weather isn't actually here yet, nor are the changing colorful leaves, but school has started up again in many areas, including mine.

One of my friends has been teasing her Facebook followers by advertising little bits of her fall semester choral classroom decor. Now that it has been revealed, it is impressive. Those students will be singing in Camelot every day. So cool! I envy those students who get to be involved in the music, the activities, and the classroom environment that is awaiting them this semester.

Yes, I was that type of student who loved to ride the waves of excitement provided by a few of my wonderful teachers. And yes, you guessed it, they were mostly my Music teachers. I loved singing, playing, and listening to music of all kinds. Preparing for concerts was the kind of excitement that kept my spirits up. I could stand the dreariness of listening to lectures on subjects I wasn't interested in or doing endless math problems when I knew that I would be going to music class later in the day.

In fact, I directly credit being involved in music classes with making good grades through Elementary school (and beyond). If I finished my work early and correctly, I got rewards like getting to spend extra time helping down in the Music Room. By Fifth Grade, my friend Judy and I were basically Mrs. Richardson's aides in her Music classroom. We built her bulletin boards, helped the younger classes do their assignments including demonstrating the harmony parts, and even assisted with folk dancing on Fridays. I loved getting hands-on experience teaching music from that very young age.

Janie and Carolyn practicing with BYU students on tour bus circa 1960

But my aunt and my mother were the real experts at keeping life exciting through musical activities. My aunt Janie was always doing shows. She worked for Brigham Young University (BYU) and was always being asked to provide entertainment. When the college students couldn't get away from their studies to go do a show, Janie would fill in with her family. I was even on a lot of shows when I was a child. ( I fancied myself a little Shirley Temple.)

When I was 8, our family moved to Texas. My mother kept up our family tradition of providing entertainment for almost any type of event around our area. She was the professional singer who could also accompany herself while she sang at the piano. Once my music teachers at school learned about my mother's abilities, she became a fixture at the schools, too. A woman of her talents was a valuable commodity anywhere we lived. And that was a lot of places --- 36 moves over 50+ years.

Bailey children singing for Christmas 1991

Here's a song Janie taught us to sing when my siblings Bobby, Betsy, Benny, Barby, Billy and Bonnie were little. I also taught it to my my family as well as many an elementary school chorus over the years.

"Don't Wait 'til the Night Before Christmas to Be Good"

For years I thought that my aunt Janie wrote this song. Turns out that she only borrowed it and put her own stamp on it. I finally wrote out her version so that we other mere mortals could enjoy performing it, too.

Called to Serve

7/12/2024

"Stop the presses!"

After hearing, and watching, the missionary choir come in singing "Called to Serve" at the new Mission President's Training Seminar in April of 1985, Elder Boyd K. Packer instructed that children's song be included in the new LDS Hymnal of 1985.

Early in the morning several months earlier, my little sister Bonnie Lee answered the phone. At the time she was attending BYU and living in the house of our Aunt Janie Thompson. The voice at the other end of the line said, "Hello. This is Elder Packer. I have something that needs the Janie Thompson touch. Is she available to come to the phone?"

It's not every day you take a phone call from an Apostle. A little star-struck, Bonnie swallowed, found her voice, and said, "I'll go find her."

When Janie picked up the phone, Bonnie stayed nearby to listen. Elder Packer asked Janie to prepare a special number as a Finale to the upcoming Mission Presidents' Training Seminar in April of 1985. He expected a rousing choral number arranged and directed by Janie. But, being Janie, she said she had different idea. She had the idea of many missionaries marching into the Assembly Hall on Temple Square carrying flags of many nations and singing a great, inspiring, missionary anthem. Elder Packer invited her to come give his committee a preview of her idea in a week or so.

Madly writing for the next few days, Janie whipped up one of her most moving arrangements. At first, after pouring through all of the hymnals she couldn't find anything suitable. Then, she looked in the Children's Songbook. "Called to Serve" literally jumped off the page. She knew instantly that this was the song she was to use.

"Called to Serve" was not of LDS origin. It was copyrighted in 1914 by the Adam Geibel Music Company, and initially published in The Song of Praise: A Sunday-School Service for Children’s Day. It was borrowed and included in the 1920 Primary Songbook, with a few modifications to the text. It has been in every LDS Children's Songbook since. The altered words definitely have a missionary meaning for Latter-Day Saints.

Janie took my brother Ben and sister Bonnie with her to the meeting with Elder Packer's committee. Our mother Carolyn Lee went along to accompany them. (Janie tended to write her arrangements in a kind of short-hand, especially when rushed. She didn't have to write out the full accompaniment because she knew my mother could just make up the piano part as they went along.) Janie, Ben, and Bonnie sang the brand new arrangement and impressed the committee. Janie got the go-ahead to work with missionaries from the Mission Training Center to get them ready for this extravaganza.

As the day approached, Janie became aware of a logistics problem. She wanted to direct the missionary singers from the back of the auditorium by the door where they would enter carrying the flags. The problem was that the organ console where my mom would play faced the wall of pipes up by the choir loft. She had no hope of seeing Janie as she directed. Also, because Janie's arrangement included changes in tempo and grand fermatas, it became clear that they needed a relay-conductor. So, since I happened to be in town during Easter Break, I was elected to stand by the organ console and watch Janie to give my mother her cues during the song.

At the end of the service, my mother slipped onto the organ bench and I took my place beside her at the console, trying not to look too conspicuous. (However, I was in full view to everyone!) Janie walked out from the back of the auditorium under the balcony and gave the preparatory beat. I relayed that to my Mom. I know I must have looked to the audience like I was conducting. Then, they became aware of the missionaries marching down the aisles with their flags. All heads turned! Then the missionaries started singing! I could barely see Janie through the flags and commotion, but I had practiced, so I knew what she was doing.

The singers marched up in front of the podium and stood in a choir formation. The flag holders stood on the back row and waved their flags in a carefully choreographed routine. By the first climax, I started to feel a prompting from the Spirit. "Direct the audience!" it encouraged me. "But that's not my job" I told myself. So, I kept relay-directing to my mother through the final reprise and last high notes. The powerful message was being felt by the audience like electricity. The Spirit filled the room so thick it couldn't even be cut with a knife!

After the closing prayer, there was a mad rush to congratulate the missionary-singers, and Janie (who had made her way up front). Mom and I wove our way down to stand by Janie. As people waited in line to talk to Janie, they passed me. All they had to say to me was, "Why didn't you conduct us? We wanted to sing, too!" (That was an emotional learning experience. Always obey the Spirit!)

Elder Packer told Janie that because of this incredible experience, he would make sure that "Called to Serve" was included in the new hymnal. And that's how this Primary song became the last hymn to be entered in the 1985 LDS Hymnal. I wonder if it will be selected for the 2026 Hymnal.

A simplified version has been published through Jackman Music.
https://jackmanmusic.com/products/called-to-serve-satb-thompson

The Music of Betsy Lee Bailey copyright 2020